Author's Image
Posted on
Group photo

Some of the people behind a new video about economic and technological promise in Erie, Pennsylvania. We have met most of these people over the past year. (Jefferson Educational Society of Erie.)

As we’ve been working away on our book based on our “American Futures” travels over the past four years, my wife Deb and I have increasingly come to think of Erie, Pennsylvania, as the representative American city of this moment.

OK, there are a lot of other candidates: Fresno and San Bernardino, in California; Columbus and its neighbors in Mississippi; Greenville and Greer in South Caroline; Eastport in Maine; Duluth in Minnesota plus its neighbor Superior, Wisconsin; Sioux Falls in South Dakota; Dodge City and Garden City in Kansas; several cities around Bend in central Oregon; and …

But in all of these, with particular sharpness in Erie, you see the shoulder-to-shoulder juxtaposition of two crucial realities in modern American life. One is the human pain, dislocation, and disruption caused by the overlapping forces of technological change and global competition. The other is the human ingenuity, passion, practicality, and optimism involved in figuring out responses.

Deb and I have written extensively about the way this drama has played out in Erie, for instance: hereherehereherehere, and here, with more coming in our book. For now I want to highlight a video that some of our friends in Erie put together and released today. You can see it below, or go its Facebook page here.

This video, powerfully narrated by hip hop artist Charles Brown, was in response to a long series of pre- and post-election broadcast reports about Erie that covered only one side of its saga: the mainly older people who had mainly held big-factory jobs, and having lost those jobs were mainly angry and downcast about the prospects for themselves, their city, and the country as a whole. Shorter version: Erie as background for pieces on “the making of Trump voters,” although the city of Erie itself stayed Democratic last fall. (The surrounding suburban and rural counties went for Trump, as of course did Pennsylvania.)

Charles Brown of Erie, PA
Charles Brown of Erie, who narrates the video (Facebook).

The video touches on many aspects of a renascent Erie, as covered in dispatches about and others: the Jefferson Educational Society, an unusually ambitious and vibrant civic organization; the Behrend campus of Penn State, with many advanced-manufacturing projects; Hero biofuels, covered in our Atlantic video about Erie; the Erie Reader, part of the diaspora of revived alt-papers we’ve seen around the country; the Radius CoWork space, also covered in our Atlantic video; the county Gaming Authority, with an unusual civic-investment strategy; Erie Insurance, which is making huge new investments downtown; the many local universities; a wonderland of breweries; the MenajErie design studio, which helped create this video; and Epic Web Studios, which does international-standard web-design work from downtown Erie—and which, in fact, I and a group of colleagues in Washington hired to design a site for a local civic project.  (More about Epic and others, to come.) And many more. After the video itself, which was produced by John Lyons of Lyons Den Productions in Erie, I encourage you to stay for the credits list, which starts at time 4:20 and shows how many local organizations were involved in creating this project. You don’t get that scale of involvement without the sort of civic fabric that holds communities (or countries) together and allows them to thrive.

Congratulations to our friends in Erie—who face lots of challenges, and are fully aware of it, but who have prepared themselves for the struggle. Please check this out.

Does the panache and tone of this video remind me of any other statement from the Great Lakes / Rust Belt region? Yes it does—and in a good way. I am thinking of course of the famous 2011 “Imported from Detroit” Chrysler ad featuring Eminem. I was living in Beijing when I saw this and thought: That’s my America. So too with this new brief film.